![]() In fact, it reminds me of "Oakvale" from the original game, because it makes the listener feel at home and safe with this theme playing. "Brightwall" is a more woodwind-focused arrangement of the piece, making it feel much lighter hearted than in "Fable III Theme". The main theme appears at various moments throughout the soundtrack, such as "Music Box", in a similar fashion to Fable II and also in "Brightwall". This dies down into a slower section where, after the choir hits the listener with "Credo", there is a violin solo in a similar style as a concerto cadenza - music that will be explored in greater detail later on in the soundtrack. There is then some tension building music that expands into a sudden frantic passage. Starting off with shimmering strings and an oboe solo, the track then crescendos into the main theme, complete with its fast string passages and epic choir. The soundtrack opens with the "Fable III Theme", which is the most intense musical theme of the series yet. The focus is more on the orchestra this time around and, while there is still a choir involved, it takes more of a backseat role in this soundtrack. Fable III is probably the darkest score yet, but it still has some more light-hearted elements to it. This time around Danny Elfman is absent from the production, but if anything the soundtrack is better for it. To achieve this, Lionhead's sound director Russell Shaw has composed musical scores influenced by the Baroque and Classical eras of music right up to Beethoven. While most Western fantasy stories these days have epic choral soundtracks in the vein of Lord of the Rings, the Fable series prefers a more subtle approach, opting for a more melodic fairytale feel. This high production value carries over to the music as well. It features an all-star British voice cast that includes Stephen Fry, Jonathan Ross, John Clease, Zoe Wannamaker, Simon Pegg and Sir Ben Kingsley among others. The production values of the series have always been very high, and this is also true with Fable III. The third instalment of this franchise carries with it its unique art style and streamlined yet deep gameplay. As a result Fable III feels like a combination of a typical Fable game and the style of game that Peter Molynneux is well known for, the God game. Peter Molynneux talked about this saying that games like these always end at the best part - the part where you become the ruler - so he wanted to rectify that. With Fable III the hook is that, halfway through the game, you become the king of the land of Albion. The Fable series is an interesting one it has been mired in controversy and intrigue and has divided opinions.
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